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Moon McNeill
Copyright and translation Moon McNeill 2002
 
Too eager for knowledge*  
Maybe
the reason of it all
was that I
(aged fourteen)
could not understand
how this thing
with the atomic particles
was working  
 
now, God obviously
wanted to give me
a vivid impression  
 
he sent me something
they call MCS
on earth  
 
he really could not have made
the effect of particles
more visible to me  
 
maybe I was
too eager
for knowledge
 
*Opening poem of the forthcoming german MCS Anthology
to be published as Book on Demand in March 2003  
 
 
Song of a Canary
I am living in the junkyard
for the broken and the lost
I'm an E.I. that is stranded
on a well-defended coast
I am living in a ghetto
in a prison that's denied
jailed for life
and sealed forever
from the other side
 
I am fighting for survival
a canary bound in ties
like a phoenix from the ashes
I will struggle up to rise
even if my wings are broken
I will crawl up to the hill
where birds of a feather
will flock together
it's a matter of will
 
I refuse to go down that easy
I refuse to go down at all
my body may be wounded
but my spirit's standing tall
 
I am singing in the darkness
I am sending out my tune
to some friends in Massachusetts
to the sun and to the moon
it will circle round the planet
never make the music charts
but I sure hope we meet
a canary fleet
and get lost in arts
 
 
The Turtle Shield
60 x 80 centimeters
 
The influences are quite visible. I have been reading many stories and documentaries about American Indians. Their relationship to this planet and nature has influenced me very much. I was doing pearl embroideries of Indian designs for some time before my eyes went bad. I gave this painting a touch of an Indian embroidery. Painted with earth pigments and Masaan white on prepared painting cardboard.

 

Caterpillars
60 x 80 centimeters
 
Painted with earth pigments on prepared painting cardboard. "The pigments are dangerous for mcs persons (and any other painter as well) because they get into the respiratory system. Even through a mask. That's why I am now experimenting with non-allergenic wallpaper colors only. The painting is not naive or pop art, ( but a mixture of the two.) This painting technique was influenced by the aborigines.
 
 
Detail

Orange Flow
60 x 80 centimeters
 
Painted with earth pigments and Masaan non-allergenic white on prepared painting cardboard. I do not use them anymore, but when I did the results were fine. This painting wanted to collect simple and almost archaic forms related to nature and human beings. My later paintings are influenced by Australian Aboriginal and American Indian pearl embroideries, my earlier ones by the strict forms of Tibetan Thangkas. I like my paintings to be more graphic than lush. My favorite painters are Keith Haring, Vincent Van Gogh and Claude Monet, but Dali or Matisse impress me too. I have always tried to do my very own thing and find out what my personal way of expressing is. The technique of the Aborigines crossed my mind when I realized that it would possibly give me relief from severe muscle pains. You can stop making dots anytime - but you have to continue to fill big spaces with paint once you have started.
 
Seagulls
40 x 50 centimeters
 
The seagulls were painted in watercolors on prepared painting cardboard.. I make a thick paste of white and watercolor and paste at least three layers of paint above each other. I love reduced form and I try to reduce the colors too, so that you have to get into the painting's deeper meanings. You know, nature is so loaded with beauty that many people just do not see. I want them to see by reducing the form to the ultimate.
Out of the blue
2003
 
Words are like needles. Like axes. Like swords.
They reach for a place where to settle and hurt.
 
And out of the blue they are piercing your heart.
This done they will aim at another part.
 
And so you come down. You crash from the sky.
You bleed on the soil. You wish you would die.
 
But your inner nature is longing for life.
You suffer. You pray. You drown. You dive.
 
You learn to feel that your heart is sound.
Skywoven. Crashlanded. And earthbound.
 
The word  
the word was the root
vibrant with life
it talked to me
I read it aloud
it sounded like marvel
it filled my thoughts
it made me be
 
the word was the root
it brought understanding
it sang the song
it carried the meaning
it hated the dark
it burnt the soul
it loved to shine  
 
the word was the root
it came from the soil
it sounded like wood
it jumped to the heart
it whispered love
it screamed at soldiers
wanting a NO
Cut down
2003
 
it’s very nice
this little poem
well done, I’d say
but all the words
somehow sound flat
don’t really fit
you’re not a poet
you just play
Cut down to size
minute by minute
there’s no sense in it
I realize
 
I like this song
it sounds so strange
I hum the tune
and then I pause
something sounds wrong
as if it broke
you’re no musician
you just sing
 
Cut down to size
minute by minute
there’s no sense in it
I realize
The way you paint
is interesting
so gay the paint
but much too loud
I would take green
or maybe yellow
you are no artist
you just paint
cut down to size
minute by minute
there’s something in it
I realize
 
Your arts are funny
you’re a beginner
I see a talent
but not much more
I could have painted
but I got married
you should be grateful
that you have time
cut down to size
minute by minute
there’s something in it
but is it wise?!

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